MacroSystem Digital Video HDV-Recorder Manual de usuario descargar pdf (Pagina 81)

Bogart SE 5 User manual

appear only as a narrow line in the storyboard), whereas the

full length of very long audio samples (which would otherwise

run over the limits of the visible region in the storyboard) is

displayed with all audio samples of adjacent sound tracks. The

timeline thus offers a scaled view by which, for example, the

volume characteristic or any fades can be viewed more easily.

This window displaying the time data serves mainly to pro-

vide a better overview. You can use the scrollbar beneath the

timeline display to move the displayed passage, click to move

the sound track to a different audio sample, and call up the

functions Fade and Envelope from within the timeline display.

The symbols >> and << indicate that the audio sample does

not end at the edge of the timeline, but continues. The original

sound track is displayed twice, one display above the other.

The reason is as follows: if for example you have inserted a

transition effect, two audio samples overlap. In the timeline

display, these two audio samples are then displayed in two

lines (in both original sound tracks).

(13) Click on the Fade button to call up a dialog in which

you can adjust fade-in and fade-out of the currently active

audio sample. The audio volume is consequently reduced or

increased for the selected duration (which of course cannot

exceed the length of the audio sample), reaching the selected

baseline volume at the end of fading.

In the ‘Audio settings’, you will also have the ability to apply

a ‘constant’ or a ‘lowered’ sound fade. Certain practical time

values for fading in and out are already provided as defaults.

Should you therefore wish to fade a commentary in softly, you

can for example select a fade-in time of 1 second (1 s), and

thereby prevent the sound from being clipped. Should you

wish to fade out an audio sample, the volume is gently re-

duced towards the end of the sample and is completely silent

at the end of fading.

The fade-in and fade-out times act upon all selected changes,

i.e. including any changes to volume of the adjacent tracks.

For example, as the commentary volume is being increased,

the background music is gently reduced to the selected value.

Please note that the fade-in or fade-out of a commentary must

be taken into account at the time the commentary is recorded.

When recording a commentary, you should wait 2-3 seconds

before you start to speak and then continue the recording for

2-3 seconds after the commentary is ﬁnished. Only then will

you be able to use these 2-3 seconds for fading in or out. The

volume characteristic is displayed clearly in the audio samples.

If you then trim a sample or move it, the fade in and fade out

times remain.

and end. Select the Trim function and then the IN and OUT

buttons in this case. To make it easier to ﬁnd where the limits

of your sound recording are in the project, you can switch

between different video views. You will either want to see the

full image continuously, while you are moving the IN/OUT or

Start/End, or you will want to see both (reduced) at the same

time. This means that this menu gives you the ability to switch

between Trimming, Moving, Trimming E, Trimming small and

Moving small. While you are trimming the audio, you will be

able to hear the sound at the spot you are trimming. Should

you want to trim with respect to the original sound, you should

activate ‘Trimming E’. This way, you will be hearing the original

sound while trimming, which means that you will be able to

precisely position the sample on a speciﬁc spot of the original

sound.

The sound characteristic is displayed by the wave form (chap-

ter 3.2).

Play back again to check any changes. The new position is

also shown graphically when you return to the Audio-Mix

menu.

If you have not activated a sound recording, when you click on

Range, you will get to see a different menu. You can now move

in the storyboard and look for a speciﬁc video position. After

conﬁrming this position, the view of the audio-mix at this point

in time will change, and the selected scene will become active.

(11) Bogart SE is able to play back several audio tracks simul-

taneously only if they have ﬁrst been created (if necessary by

clicking on Create). The entire audio visible in the active image

size is generally created together with the active audio sample

(highlighted in blue), even if it lies outside the window. If the

entire storyboard is to be created, launch creation from the

Finish menu.

From the color of the horizontal color control bar between the

original sound track and the storyboard, you can ascertain

whether the overall volume of all audio samples is faultless

(blue) or over-modulated (red). Correct any over-modulated

passages with the aid of the volume control or the wave form.

(12)

Click on the Timeline button to call up a new win-

dow in which the active audio sample is displayed in full and

which shows the other samples in relation to it.

The active audio sample thus serves as the dimension for the

full width of the new window. This permits a larger (full-screen)

display of very short audio samples (which would otherwise

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MacroSystem Digital Video HDV-Recorder Manual de usuario Pagina 81

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